To Peel or Not to Peel: Working with Bridge Pose

by Baxter

I received this question a while back from one of our readers and thought today was the perfect day to address it:

“I often hear teachers instruct to come out of Bridge 'one vertebra at a time.' What are your thoughts on this? Is this healthier for the spine? Or is it in fact better to maintain the lower lumbar curve?”

It turns out that most of my first teachers would encourage just such an action when instruction for Bridge pose (Setu Bandha) with bent knees. In those days, I was practicing a style of yoga in which we would hold the poses for several minutes once in the shape of the pose. My instructors would often say to come up into Bridge one vertebrae at a time, as if your spine were taped to the floor and you were slowly peeling the tape off the floor. And they would suggest a similar action upon exiting the pose only in reverse: lower down slowly, one vertebra at a time, as if you were pressing the “tape” of the spine back onto the floor.

Bridge Pose (from "Yoga: The Poetry of the Body")

This way of entering or exiting Bridge pose is one of two basic ways I still think are valid and reasonable ways to work in the pose. The second way that I instruct entering and exiting is as follows: From Constructive Rest position (supine, knees bent and heels about 4 inches from your hips), establish the normal, slightly arched shape of your lumbar spine. Lift your hips straight up as you push down into your feet, like an elevator going up a few floors, maintaining the neutral arch of the lower back. To come down, lower your hips straight down, like an elevator returning to the lobby floor.

The obvious question would be what are the advantages to the two different ways of getting in and out of the pose? The Peel Method, as I call it, is particularly well suited to the generally stiff student who does not have any lower back problems, specifically, but not exclusively, lumbar disc issues. For the healthy, stiff student, this way of moving in and out of Bridge pose creates more movement in certain directions between the individual bones of the lower spine, a bit more flexion (forward bending) than extension. So you can create better movement in a stiff part of the body using the Peel Method. And it is a fine way to work with healthy students who have normal flexibility as well.

However, in my specialty Back Care class, where lots of students have bulging or inflamed discs or structures in the lower back, there may be some instability and/or too much mobility that can result in increased pain. In addition, flexion (such as in a forward folding, rounded spine) which as I mentioned above, happens with the Peel Method, could potentially worsen disc problems and even run-of-the-mill general lower back pain. So the Elevator Method provides more stability to the lower spine, as well as encouraging a more neutral or natural curve in the lumber spine. I find that almost all of my Back Care students can not only do this variation without pain, but also seem to benefit from the overall strengthening of the back body muscles that come form this particular back bend.

There will always be some students who are exceptions to the above recommendations, and so each individual has to try the methods out for themselves and see which feels better for their body and seems to have the overall desired effects from regular practice. And, as with all asana, there are certainly other creative ways to get in and out of Bridge, so playing around to find a new way of working in the pose can add some fun to your home practice as well. I personally like to mix up the way I enter and exit poses a bit, so that I don’t get stuck in a rut of doing things the same way each time. This way of varying things keeps my attention more clearly focused on the task at hand, so I am more present with my regular asana practice. And this cultivation of moment-by-moment awareness in my yoga practice has great benefit for my everyday activities as well. In this way, I can move beyond the mere performance of yoga poses and reap the deeper benefits that yoga has to offer. So, play around with Bridge pose this week and see what you discover for yourself.

For Tamasic Depression: Moving with Your Breath

Light in the Mist by Michele McCartney-Filgate

by Nina

Last week in my post Tamasic and Rajasic Depression, I mentioned how moving with your breath can be very helpful for people with tamasic depression (or for all of us on those days when we're just feeling blue). We don’t have scientific evidence to prove this, however, many long-time yogis have experienced the enlivening and uplifting sensations of vinyasas and mini vinyasas. And I'm here to testify to that! Some possible reasons why this works are:

• Moving with you breath engages your mind, providing you with temporary respite from depressing thoughts. Coordinating movements with your breath doesn’t give you time to brood or let your mind wander.
• Consciously breathing as you move improves your breathing in general, which can reduce lethargy and fatigue.
• Exercising in general can actually change your mood, possibly by changing your body chemistry.

You can use a vinyasa or mini vinyasa as a way to start a longer practice or as a mini practice on its own. If you’re too depressed to contemplate a challenging practice, try some simple movements. Just starting to move, however modestly, can sometimes get your energy flowing and may even motivate you to move onto a longer practice.

Practicing a vinyasa with a backbending movement may be the most helpful for depression. For most people, backbends are energizing and uplifting. Patricia Walden, who teaches yoga for depression, says that backbends “let in the light.” In Gary Kraftsow’s sequence for chronic depression in Yoga for Wellness, he includes a mini vinyasa with Bridge pose, a sequence that includes Warrior 1, and second mini vinyasa with Upward-Facing Dog pose, probably for the same reasons.

Today I’m just going to offer up a few ideas for poses you can use to start a practice or to do on their own as mini practices (and, hmmm, now that I look at the list, I realize you could actually do them all, in the order below, as a short sequence). Some of these ideas come from Patricia Walden, some from Gary Kraftsow, and some are my own.

Cat pose: If you can’t even bring yourself to stand up on your yoga mat, whether because you’re depressed, discouraged, or just tired, try starting on hands and knees. Move into your backbend on an inhalation (what some people call Cow pose and what I like to call Purring Cat) and arching your back into Cat pose on an exhalation. Repeat any number of times. Who knows, maybe you’ll feel like going into Doward-Facing Dog pose next or perhaps even standing in Mountain pose on your mat. By the way, you can even do this pose in a chair, as we described in our post Chair Cat Pose, anywhere and in any attire.

Mountain Pose: The easiest standing mini vinyasa is to move in Mountain Pose. Start in Mountain pose, with your arms by your sides. On an inhalation, bring your arms overhead as you bend slightly into a backbend in your upper back. On an exhalation, release back to your starting position, bringing your arms back by your sides. Repeat six times.

Warrior 1: Moving from Warrior 1 stance to full Warrior 1 pose as we illustrated in our post Warrior 1 and Warrior 2 Mini Vinyasas is a more challenging vinyasa. But the fact that it takes more concentration and effort may bring you more powerful results. Repeat six times.

Bridge pose: This is the deepest backbend of the group, which provides the benefits of a good chest opening along with the benefits of moving with your breath. Start by lying on your back with your knees bend, your feet about hips-width apart and your arms by your sides. On an inhalation, press down with your feet as you lift your pelvis off the ground, open your chest, and raise your arms overhead and down toward the floor behind your head. On an exhalation, return to the starting position, dropping your pelvis straight down to the floor as you bring your arms back by your sides. Repeat six times.

I hope that some of you out there will give these a try and let me know how it goes!